The connection between mathematics and art goes back thousands of years. Mathematics has been used in the design of Gothic cathedrals, Rose windows, oriental rugs, mosaics and tilings. Geometric forms were fundamental to the cubists and many abstract expressionists, and award-winning sculptors have used topology as the basis for their pieces. Dutch artist M.C. Escher represented infinity, Möbius bands, tessellations, deformations, reflections, Platonic solids, spirals, symmetry, and the hyperbolic plane in his works.
Mathematicians and artists continue to create stunning works in all media and to explore the visualization of mathematics--origami, computer-generated landscapes, tesselations, fractals, anamorphic art, and more.
The title of this picture does not involve any mathematical riddle, but is simply the reference number by which Samuel Monnier identifies his pictures. This young Swiss man, who is preparing for his Ph.D. in Theoretical Physics, does not like to put titles on his pictures as he feels it interferes with the sensations his work can produce in the viewer. The basic concept on which this image rests is to begin with a more or less repetitive initial design and superimpose various layers with this design at different scales. This procedure generates an image that shows structures with a wide range of scales, although from a strict point of view one cannot consider it to be fractal.